My watercolor publishing illustration spans book illustration, cover lettering, and paper goods design for major publishers, including Penguin Random House, Assouline, Chronicle Books (including an exclusive collection of paper products for The Smithsonian), Harper Collins, Abrams, Simon & Schuster, and St. Martin’s Press.

Illustrated and lettered books and covers include Pure Skin by Tatcha founder Vicki Tsai, issues 207–211 of the Paris Review, The Wine Questionnaire, Holy Boy by Lee Heejoo, The Bright Hour by Nina Riggs, Notes to Self by Gayle King, The Finer Things by Christiane Lemieux, Rainbow Milk by Paul Mendez (selected by Communication Arts), Shoestrology by Ophira and Tali Edut, Holy Boy, Gayle King’s Note to Self, Every Body by Branden Jacobs-Jenkins, The Bright Hour, and Yes She Can: 10 Stories of Hope and Change from Young Female Staffers of the Obama White House. 

My own authored and illustrated books include Well-Read Women: Portraits of Fiction’s Most Beloved Heroines and A Mother is a Story: A Celebration of Motherhood, which have been featured in the New York Times, Oprah, New York Magazine, and in other media. 

Paper goods commissions include an exclusive watercolor journal and notecard collection for the Smithsonian Institution, featuring their rare jewelry collection.

My work in publishing has been recognized by Steven Heller at The New York Times Book Review, The Spine Magazine, Communication Arts, American Illustration, and the Society of Illustrators.